![]() ![]() Native Instruments announced in early 2018 that an entirely new version of Traktor (both hardware & software) had been under development. New features included multi-channel support and support for a larger number of concurrent loops. The subsequent software, Traktor Pro 2 was announced on February 10, 2011, and released on April 1, 2011. It included an updated GUI, revamped effects interface, and updated cueing and looping features. On October 16, 2008, Native Instruments announced Traktor Pro, to replace Traktor 3. At this point, Native Instruments began manufacturing their own DJ hardware components. It was re-branded to Traktor 3 on October 11, 2006, when the partnership between Native Instruments and Stanton Magnetics ended. Version 3 of Traktor DJ Studio, announced in November 2005, added two more playback decks (for a total of four), built-in EQ & effects, Beatport online store integration, a four-channel mixer. In 2005, Native Instruments added vinyl emulation features to version 2.6 of Traktor DJ Studio, alongside live input, internet broadcasting, support for more file formats, and expanded MIDI capabilities. This partnership also allowed Native Instruments to use the Final Scratch timecode functionality in their own Traktor products. They partnered with Stanton Magnetics to develop Traktor Final Scratch: the software for Stanton's Final Scratch digital vinyl system (which used timecode-stamped vinyl records to control MP3s), whilst Stanton developed the hardware. In 2003 Native Instruments expanded Traktor from purely software. Version 2.5, released in 2003, expanded the time stretching functionality, added Open Sound Control (OSC) support, and introduced GUI customization options. The new features included scratch macros and expanded looping, MIDI, and cue point functionality. Version 2 of the software (known as Traktor DJ Studio 2) was released in 2002. The initial versions available were Traktor DJ and Traktor Studio, with Studio being the version with the most functionality. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.The first version of Traktor DJ Studio, released in 2001. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. ![]() In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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